
Really interesting article in Book Business magazine by Carolyn Pittis (and we’re not just saying that because she refers to us
). Publishing houses are chock-full of interesting, educated, highly creative, talented and usually very funny people who know a vast amount about books, reading and packaging, and have wildly interesting opinions and judgments. But, in the online theater, these people are largely anonymous office workers to the opinion leaders who host the daily discussion of what publishing is doing wrong.
Two decades ago, as an entry-level editorial assistant, I was asked to sign form rejection letters with the name “Edith D. Wilson.” Edith was a fictional creation whose name my then-employer used exclusively to reject manuscripts. When “rejected” writers sent angry mail, phoned or worse—visited the publisher’s office—the use of Edith’s name at the reception desk would alert all to draw the shades or reach for the security buzzer. The message was clear: Editors, and the publishers they work for, need to be as hard to get to as possible. Publishing authority and position demanded “reclusivity.” Don’t call us, we’ll call you. [More]
SUBMISSION: From the film Sidewalls.
Hand drawn eco-friendly mini journal made from 100% post consumer...
Undersea Landscape on Flickr.
Undersea Landscape in Little Corn Island, Nicaragua.
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